Tuesday, December 17, 2019

Sophocles Antigone By Sophocles - 1892 Words

Antigone †¢ Title: Antigone by Sophocles †¢ Genre: Play; Tragic drama †¢ Historical context: Written circa, 442 B.C.E. in Athens Greece. Performed circa, 441 B.C.A. Its literary period was classical. While Antigone was the first written of Sophocles’ three Theban plays, it was the last of the trilogy. It was performed during a time of national unrest. Sophocles was appointed to serve as a general in a military crusade against Samos. The significance of the historical events during that time period and the play were the state’s appropriate or inappropriate use of its power, one’s duty to obey the laws set by their government without question, natural law versus man made law, and civil disobedience or a justifiable rebellion by Antigone, a fierce female heroine. †¢ Protagonist: Theban Princess Antigone, daughter of Jocasta and Oedipus, the King of Thebes best fits the description as the protagonist for defying Creon, her uncle who now rules in Oedipus’s stead and forbids the burial of her brother Polynices. The play centers not only on Antigone’s willingness to accept the consequences of her actions, but also on the assertiveness she demonstrates in doing the right thing: fulfilling her obligations to ensure her brother’s safe passage into the realms of the underworld, obeying eternal laws she believes are governed by the gods and disobeying her uncle’s man-made law. She is a fierce female heroine who embodies the qualities of male contour part. It is Antigone’s civilShow MoreRelatedSophocles Antigone By Sophocles Essay1869 Words   |  8 PagesIn Sophocles’ play Antigone, two brothers, Eteocles and Polynices fight for the thrown of Thebes. The war comes to an end when both brothers die fig hting for the honor, and their uncle Creon becomes the king of Thebes. Upon his coronation, Creon issues a decree that Eteocles, the former king of Thebes, will be honored with a traditional military burial, while his brother Polynices will be â€Å"left unwept, unburied, a lovely treasure for birds that scan the field and feast to their heart’s content† (SophoclesRead MoreSophocles Antigone By Sophocles1495 Words   |  6 PagesAs one of the most famous tragedies ever written, Antigone, by the Greek playwright Sophocles, has received much notoriety as well as much speculation. Set in the city of Thebes after a devastating civil war between the brothers Polyneices and Eteocles, the play begins after the brothers’ deadly struggle for the throne. Polyneices and Eteocles have already caused the undue deaths of one another, and without another man in their immediate family available, their uncle Creon travels to Thebes to seizeRead MoreSophocles Antigone By Sopho cles964 Words   |  4 PagesIn â€Å"Antigone† by Sophocles, a famous ancient Greek tragedian, the main character, Antigone, demonstrates a prohibited action in a strict, male-dominated society. Greek civilization upheld strong values and rules that were designed to enforce orderly behavior among its people. There were state laws created by the King, Creon, and divine laws created by the Gods. Divine law was superior to the king laws, and if that rule was disrupted, eternal consequences could ruin an individual. In this societyRead MoreSophocles Antigone By Sophocles967 Words   |  4 PagesTragedy in Antigone Antigone is one of the greatest Greek tragic plays by Sophocles. The play portrays two main characters, Antigone and Creon, who undergo tragedy in the play. Various arguments have been put forth regarding who amongst the two characters is the actual tragic hero in Sophocles’ Antigone. A number of people are for the idea that Creon qualifies since he does possess the real characteristics of what tragedy is all about, while numerous others believe that Antigone is the actual heroRead MoreAntigone by Sophocles1059 Words   |  5 Pages In the book Antigone, Creon and Antigone can be considered as the tragic heroes of the play. Antigone is considered the tragic hero because of the characteristics she shows such as her ambition to defeat Creon, Creon shows more of the characteristics clearly. Creon is the king of Thebes. He is also Antigones uncle. Creon became king after a fight between Eteocles and Polyneices. One may see Creon as a harsh and controlling ruler, but he is not good nor bad because he shows signs of both like whenRead MoreAntigone, by Sophocles1997 Words   |  8 PagesThe death of Antigone is truly a tragic episode in the Theban Plays, where she hung herself with a woven linen of her dress. By convention, her death would be characterized with feminine quality. However, Antigone, one of the few female characters in the book, possessed distinguishable female characteristics that are as remarkable as a male hero. Antigone was determined when she made up her mind to bury her brother. She was an agent o f her words and took up the risks that accompanied to her deedsRead MoreAntigone By Sophocles Antigone1478 Words   |  6 PagesThroughout Antigone, Antigone is a presented as a strong woman who is both dedicated to her family and her community. That said, there is much conflict between these two dedications. In this paper, I will give examples of Antigone’s different individual responsibilities and her philosophies and explain how those conflict with the commitment that she is to have to her community and indirectly, her king. Ultimately, I will argue that Sophocles demonstrated his values of family, the way of the godsRead MoreAntigone By Sophocles Antigone912 Words   |  4 PagesIn Sophocles, â€Å"Antigone† begins with the stages of grief as Antigone mourns the loss of her two brothers, Polyneikes and Eteokles, who die simultaneously in face-to-face combat in Thebes. Eteokles dies with honor fighting for the Thebesians and is honored with rituals and a proper burial. The body of Polyneikes, who attempted to burn the city of Thebes, is left for the dogs and birds to savage. Thesbesian’s law forbids anyone giving a traitor, like Polyneikes, a proper burial, for that itself isRead MoreAntigone by Sophocles622 Words   |  3 PagesIn the playwright Antigone by Sophocles, the characters reveal their values while exposing a life lessons through their actions, dialogue, thoughts ,and effects on others. Antigone starts with two brothers, Eteocles and Polyneices, being killed at battle. Creon, the king of Thebes, declares that Eteocles’ death will be honored and Polyneices’ dishonored. He instead will lay unburied to become the food of animals. When the play opens, Antigone takes Ismene, Antigone and Ismene are sisters of the deadRead MoreAntigone, by Sophocles996 Words   |  4 PagesIn Sophocles’ play, Antigone, the main character uses rhetoric to effectively persuade her audiences to sympathize with her. In the play, Antigone’s brother, Polyneices, dies a traitor to the Theban people. The king, Creon, decrees that no one is to bury the traitor despite the necessity of burial for proper passing into the afterlife. Believing that Creon’s decree is unjust, Antigone buries her brother. When she is brought to the king, Antigone uses this speech in defense of her actions. In

Monday, December 9, 2019

Heart Of Darkness Essay Research Paper Part free essay sample

Heart Of Darkness Essay, Research Paper Part I In the novel, Second Class Citizen, the chief character, Adah, is a strong, Nigerian adult females who faces sexism from within her ain civilization since she was born. She explains, ? She was a miss who had arrived when everyone was anticipating and foretelling a male child # 8230 ; She was so undistinguished? ( Emecheta 7 ) . In the Ibo civilization that Adah grew up in, being a miss was looked down upon. Giving birth to a male child was a major achievement, whereas giving birth to a miss was an every bit major letdown. Girls were taught to be utile, non intelligent: ? A twelvemonth or two would make, every bit long as she can compose her name and count. Then she will larn to run up? ( Emecheta 9 ) . In Ibo civilization, misss were valued for their domestic abilities. Adah refused to be measured by this, alternatively she was determined to travel to school and acquire an instruction. She worked had to get the better of the sexist attitude that her civilization held. This sexist attitude continued after she got married to Francis. Francis is a typical Ibo male. He held the position that the males should travel and acquire educated and the female should remain place, or in Francis? instance, work to back up his instruction. Adah knew his attitude, ? The acuteness seemed to state to her: ? It is allowed for African males to come and acquire civilsed in England. But that privileged has non been extended to females yet? ? ( Emecheta 36 ) . Francis is a pure contemplation of the values held by the Ibos. All Francis wanted from Adah was money, to pay for his instruction, and sex: ? Equally far as he was concerned matrimony was sex and tonss of it, nil more? ( Emecheta 41 ) . To Francis, Adah was a sexual object. Equally far as he was concerned, her feelings didn? t affair, she was non a existent individual. Adah knew she was up against the enemy when she challenged Francis, but she was able to lift about he sexism and go forth Francis. Not merely does she travel against her ain civilization, but she wants her kids to reject the sexist attitude as well: ? My boies will larn to handle their married womans as people? ( Emecheta 121 ) . Adah is a strong adult females who will non allow herself be objectified and will non allow the sexism of her civilization maintain her down. Adah would dislike the manner that adult females are portrayed in Joseph Conrad? s Heart of Darkness because adult females are treated as though they do non belong in the existent universe. Womans are treated as objects alternatively of people with ideas and feelings. It is this intervention that Adah worked difficult to get the better of. Part II In Joseph Conrad? s Heart of Darkness, Marlow, the storyteller of most of the narrative, state the narrative of his journey into the Congo searching for the lost tusk bargainer, Mr. Kurtz. Throughout Marlow? s journey, he encounters different types of adult females. In his brushs with his Aunt, the African adult females, and Mr. Kurtz? s intended bride-to-be, Marlow shows his take downing and sexist position of adult females. Marlow objectifies adult females depending on their race. The white European females are looked upon as domestic existences who should be given merely to their place universes, while the lone African adult females is portrayed as a sexual object. It is this objectiveness that causes Marlow to neer uncover the truth about Mr. Kurtz? s life and decease. The first adult female that we meet is Marlow? s aunt. She is the one paying for his trip to the Congo, yet Marlow does non esteem her positions. Marlow says, ? She talked about ? ablactating those nescient 1000000s from their horrid ways, ? boulder clay, upon my word, she made me rather uncomfortable # 8230 ; It? s thwart how out of touch with adult females are? ( Conrad 11 ) . In kernel, Marlow is stating that adult females are out of touch with world, even though it is clear that his Aunt? s positions about Africans reflect the popular position of the clip. That position being to Christianize Africa and acquire rid of their traditional civilization. This position was held by the likes of Rudyard Kipling, Leoplod II and other outstanding work forces of the clip. Marlow does non acknowledge his Aunt? s positions merely because she is a adult females and he doesn? T believe adult females belong in the existent universe. He says, ? They [ adult females ] unrecorded in a universe of their ain, and at that place had neer been anything like it, and neer can be? ( C onrad 11 ) . Marlow expresses the fact that adult females live in kind of a alternate existence, that is that they are out of touch with world. Because of this, adult females have no topographic point in the workings of society, that being in political relations or societal issues. Therefore, his Aunt is good plenty to fund Marlow? s trip, but her usefulness Michigan with the money. She is treated as a money tree alternatively of an person with ideas and positions of her ain. The lone African adult females introduced in the novel is Kurtz? s house amah. She is looked upon as a different kind of object, she is the object of sexual desire. She is described with animalistic qualities by Marlow: ? She walked with mensural stairss, draped in stripy and fringed apparels, steping the Earth proudly, with a little jangle and flash of brutal decorations? ( Conrad 55 ) . This description gives the image of a barbarous cat walking across the land with? # 8230 ; measured steps.. steping the Earth? . She is non physically described with human qualities, but as more of an alien beast-like animal. She besides stirs up desire in Marlow? s bosom, as he describes her presence: ? # 8230 ; The colossal organic structure of the fecund and cryptic life seemed to look at her, brooding, as though it had been looking at the image of its ain tenebrific and passionate psyche? ( Conrad 56 ) . Her presence gives rise to the passion in Marlow? s psyche every bit good. It is her cryptic quality that is so attractive. She is non viewed as a human, but as an object of sexual desire because she is alien and cryptic. Marlow recalls the adult male of spots stating, ? If she had offered to come aboard I truly think I would hold tried to hit her? ( Conrad 56 ) . The fact that these work forces would be so speedy to kill her shows that they wear? t position her as a homo because they would neer be so speedy to kill a white adult females. Her gender is endangering to the work forces, and it allows them to look at her as an object alternatively of a human being. The last adult females that Marlow encounters is Kurtz? s intended bride-to-be, who is merely referred to as the? Intended? . She is first mentioned in Kurtz? s gabble. He says, ? Oh she is out of it- wholly. They- the adult females I mean- are out of it- should be out of it? ( Conrad 44 ) . Kurtz is stating that adult females are out of touch with the existent universe. They are non cognizant of what goes on outside their ain universe, and that is the manner it should be. Womans should non believe about what goes on in the universe. Kurtz tells Marlow, ? We must assist them to remain in that beautiful universe of their ain, lest ours gets worst? ( Conrad 44 ) . In kernel, Kurtz is teaching Marlow to maintain his Intended in the dark about what is truly traveling on in the Congo. The? adult females? s universe? is one that is nescient to the harsh worlds of life, such as the mad adult male that Kurtz has become. Kurtz does non desire his Intended to cognize what he has become because he might lose her and that would be like losing a ownership to him. Kurtz exclaims, ? ? My Intended, my tusk, my station, my river, my- ? , everything belonged to him? ( Conrad 44 ) . Kurtz? s Intended is grouped with his other ownerships like tusk and his station. He sees her as a belonging alternatively of a existent individual. It is the objectification of Kurtz? s Intended that in the terminal stops Marlow from stating the truth about Kurtz? s decease. With Kutrz? s Intended in bereavement, Marlow Tells her, ? ? The last word he pronounced was- your name? ? ( Conrad 71 ) . Marlow knows Kurtz? s true last words, which were? ? The horror! The horror! ? ? ( Conrad 64 ) , but he could non convey himself to state her the truth. By stating her Kurtz? s true last words, Marlow would hold topographic point her into the existent universe and she would hold had to confront those worlds. By maintaining her in the dark, Marlow leaves her in her phantasy universe where she will neer recognize she is more that person? s ownership, she is an person. Through the objectification of adult females in the Heart of Darkness, the true nature of imperialism as displayed in Kurtz is neer revealed to the universe. Just as Marlow will non acknowledge the positions of adult females as persons, the universe will neer acknowledge the true nature of imperialism.

Sunday, December 1, 2019

Theresienstadt Essays - Theresienstadt Concentration Camp

Theresienstadt 1939, Theresienstadt, A gift from Hitler. A place of hope and happiness for Jews and Jewesses alike. Theresienstadt was somewhere they could wait the war out without fear until the shadow of Nazism passed. It was a place filled with the most prosperous artists and musicians, daily shows and operas, lectures and seminars, gardens and coffee shops. A place with grace and character. An entire town that was given to the Jews as a gift from the Fuehrer. A paradise for Jews. That is at least, what the Nazis wanted people to believe. Forty miles north west of Prague, Czechoslovakia, surrounded by the central Bohemian Mountains Hitler pinpointed the small town of Theresienstadt to be his paradise ghetto, his gift. Located in a scenic community, Theresienstadt had broad streets and a large square surrounded by two large parks and two smaller ones. Here within an area five blocks wide and seven blocks long, over 140, 000 Jews would spend the last months of their lives, and only a few handfuls would survive. The first Jewish prisoners entered Theresienstadt on November 24, 1941. In the beginning, when the Fuehrer first presented the city to the Jews, many came willingly to the ghetto because life as a Jew was becoming intolerable and dangerous elsewhere with the rise and spread of anti-Semitism. The Jews wanting to enter Theresienstadt merely had to sign a contract turning over all remaining assets and property to the S. S, and in return the S. S pledged to take care of them as long as they inhabited Theresienstadt. Theresienstadt was un-like any other ghetto in the fact that Hitler planed to use the ghetto as a model ghetto. It was a model that was supposed to represent all the ghettos set up across Europe. Theresienstadt was a place the Nazis and Hitler showed to comfort and reassure the world as to the overall treatment of the Jews. It was a ploy to try to cover up the real horrors and massacres of the Jews that were breaking out across Europe. Theresienstadt was a ghetto designed to divert all attention away from the dying and suffering, Hitler wanted to hide the truth from the world and create a hoax. With thousands of Jews being transported and murdered, among them were people who would be recognized and missed in communities. These were people that were famous; musicians, writers, painters, actors, and well-known scholars. All of these sudden disappearances of these famous people would raise questions among the countries in which they disappeared. Hitlers solution was Theresienstadt. Also among the Jews sent to Theresienstadt, were war veterans or any Jew whom had worn a German uniform. Hitler felt he needed to appease the German army and respect even a Jew who had honorably served Germany. Theresienstadt became a ghetto where most of the well-known Jews of Europe would reside happily for the remainder of the war. Theresiensadt, now a beautiful town filled with the most prosperous Jews of Europe became the set for a well-planned propaganda film that the Nazis used to deny the final solution. The ghetto had become a scene for a sick play for the worlds viewing. Rules and regulations in Theresienstadt were much more relaxed than in other ghettos. Music, and art were encouraged and even forced upon the Jews so that Hitler could show the world what went on behind the gates of Theresienstadt. In 1944, Hitler set about a beautification project to up grade the city for a propaganda film. Playgrounds were built, store fronts painted, a new caf was added, along with the filling of storefront windows for the sole purpose of the film. The Jews were forced to perform operas and piano concerts. Actual scenes were set up outside playgrounds and in houses to show how, humanely the Jews were being treated. Afterward Hitler invited the Red Cross to view the town. What the Red Cross didnt know was that merely two weeks before, over five thousand Jews were deported to the concentration camps in the East so that the city would appear less crowded. Hitler succeeded in two things with Theresiensadt; one he fooled the world with his well-planned hoax and propagation film,